With the Dawlish & Teignmouth Camera Club’s season drawing to a close, it was time for the Image of the Year competition. This year it was judged by Gordon Aspland, who is a member of Newton Abbot Photographic Club.
There was an even split of entries between colour and black & white, although the diversity of subjects gave Gordon a difficult job of selecting his winners out of a total of 44 digital images.
The awards for Colour image:
Gold – Bob Kent
Silver – Nigel West
Bronze – Bob Normand, Alex Rosen
Highly Commended – Howard Sheard, Ken Holland, Tejas Earp
The awards for Black & White image:
Gold – Nigel West
Silver – Bob Kent, Ken Holland
Bronze – Tony Wilson, Marc Dunlop, Naomi Stolow
Highly Commended – Gwynneth Chubb
The Gold-winning colour image, aptly named Tranquility, captured a serene moment as a swan and its young emerged from the mist. Photographer, Bob Kent, explained “It was a case of being in the right place at the right time. I had only recently bought a new 70 -200mm lens and I took an early morning trip to Dawlish Warren to play with my new toy. It was a great morning with some interesting cloud colour and I took some nice images of a fishing boat at distance which I was pleased with. After the best of the sky colour had ended (not long after sunrise) I decided to head off home. I was just walking past the lake when I noticed the mist on the water and realised there may be a photo opportunity. After a while a swan swam into view at the far end of the lake and it was then followed by two cygnets. Luckily, I had the new lens and it was zoomed out to the max, which was just enough to get the shot. As I was taking the photos, I could see the mist being burnt off and a very slight breeze started to develop causing the mist to disappear altogether. So, as you can tell, the shot wasn’t planned and I was lucky to have the right lens at the right time.”
Nigel West, whose gritty, black & white image Alone by the sea won Gold, had this to say “The lockdown and its gradual release has presented a lot of opportunities for exploring the local area and for attempting to capture the different feel of each place. Alone by the sea was taken through the windows of the ferry shelter on Shaldon Beach. It had been a bright, if gusty morning, but then the weather began to close in and such people as there were around began to hunch their shoulders as they sought out cover. The three panes of the window allowed me to tell a narrative encompassing the boats, the back beach of Teignmouth and the character- almost like the stained-glass stories found in Victorian churches. Once I had seen the pattern, it was just a matter of waiting until the next person came up the beach. For me, the image captures the solitary nature of much of the previous year so is a ‘pandemic picture’.